The house and sign painters' recipe book .. by Warren W. C

Author:Warren, W. C. [from old catalog]
Language: eng
Format: epub, pdf
Tags: House painting. [from old catalog], Sign painting
Publisher: [Lebanon, Ind., M. M. Manner, printer]
Published: 1890-03-25T05:00:00+00:00

letters on the black. Modern sign painters have very generally adopted v\^hat is termed, the cut-in process where the letter is lighter than the ground work. Black, vermillion, Indian red, green and blue are the most common colors used for cutting in work. The color of the letters or ground previous to being cut in can be white or any desired tint or two or more colors can be blended in on your sign, so airanged that part of your letter will be one tint and the other part another. An imitation of gold color is a very popular color and can be used with any of the above colors with good effect.

SHADING FOR CUT-IN SIGNS.

Where the ground is darker than the letter, the shading should be two or three shades darker than the ground work, unless the ground is black, then the shading should be some bright color, either in one color, line shade, or a blended shade which the new beginner will find the most diflicult of all shades to execute. This consists of a combination of colors and tints worked in and blended together with a beautiful effect. This shade should join up to the letter, leaving no space between tlic letter and shading.

SHADING FOR ORDINARY SIGNS.

For a white ground and a black letter, the shading should be some light tint of green, blue, red or

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